Francie Bishop Good

Francie Bishop Good, Putting The Pieces Together, Pairing 2020, painting, 2020, synthetic polymer paints on board, 20 x 16 in., sculpture, synthetic polymers on bisque—fired earthenware, 11 x 9 x 9 in.
Francie Bishop Good, Putting The Pieces Together, Pairing 2020, painting, 2020, synthetic polymer paints on board, 20 x 16 in., sculpture, synthetic polymers on bisque—fired earthenware, 11 x 9 x 9 in.

Francie Bishop Good (b. 1949, Bethlehem, PA) is a multidisciplinary artist whose practice has evolved from painting and photography to include sculpture, ceramics, and digital collage. Guided by intuition, memory, and observation, her work explores the intersections between personal history and collective experience. In her ongoing Mash Up series, Bishop Good transforms graphite sketches into layered digital compositions where figures shift between presence and disappearance, reflecting the tension between structure and fragmentation.

Beyond her studio practice, Bishop Good is a collector and advocate for women in the arts. With her husband, David Horvitz, she co-founded Girls’ Club, a Fort Lauderdale-based foundation and exhibition space dedicated to contemporary art by women. She serves on the Board of Governors of NSU Art Museum Fort Lauderdale, where she was formerly Board Chair.

Bishop Good is a two-time recipient of both the South Florida Cultural Consortium Fellowship and the State of Florida Individual Artist Fellowship. Her work has been the subject of solo exhibitions at the Allentown Art Museum, Museum of Art | Fort Lauderdale, Museum of Contemporary Art Jacksonville, Art and Culture Center Hollywood, and the Orlando Museum of Art, and is included in the public collections of the Museum of Fine Arts, Boston; Wadsworth Atheneum, Hartford; Patricia & Philip Frost Art Museum | FIU; Orlando Museum of Art; Bass Museum of Art; and the NSU Art Museum Fort Lauderdale. She lives and works in Fort Lauderdale, Florida.

Baker—Hall is a contemporary art gallery founded by Amanda Baker—Hall in 2024. It is the successor to her previous project, Club Gallery. The gallery aims to promote emerging and mid-career artists through a fresh curatorial approach, while also offering comprehensive art advisory services. Baker—Hall specializes in painting and sculpture across narrative and non-objective styles, with a focus on collaborating with private collectors and prominent corporate institutions. The gallery boasts a robust exhibition schedule, featuring a minimum of eight rotating exhibitions each year.

Baker—Hall is a proud member of NADA.

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