Regina Durante Jestrow: Everything Mixing Always

Baker—Hall is pleased to present Everything Mixing Always, Regina Durante Jestrow’s first solo exhibition with the gallery. On view from September 6 through October 11, 2025, the exhibition debuts a new body of textile-based works that build on Durante Jestrow’s longstanding investigation into the symbolism and structure of American quilt traditions.

In her latest series, Durante Jestrow draws from the spiderweb quilt pattern, its historical, folkloric, and personal meanings serving as both a formal and conceptual foundation. Referencing Victorian-era superstitions around embroidered webs as charms for luck, and the emotional resonance found in the work of artists like Louise Bourgeois, she explores the spider as a figure of protection, intuition, and labor. Within these compositions, geometric shapes unfold in directional tension—spiraling, colliding, reforming, and suggesting movement and transition.

The works further echo an intuitive choreography shaped by music. Durante Jestrow approaches the act of making like a dancer in motion, rhythm and improvisation guiding her hand. The title Everything Mixing Always is a nod to musical theory and the layered approaches of composers and sound engineers, meant to evoke the constant interplay of influence, memory, and process. Like a good mix, her compositions ask: what voice should be heard now—and how can the rest hold it up?

Durante Jestrow works with hand-dyed fabrics combined with second-hand materials sourced from all over South Florida, including unconventional materials like sequins and neoprene. Her use of reclaimed textiles reflects her commitment to sustainability and a broader engagement with place, echoing the textures and tones of Miami’s natural and cultural landscape.

Regina Durante Jestrow is a Miami-based artist whose work reimagines the language of quilting through abstraction, improvisation, and material experimentation. Deeply influenced by American folk art, mid-century abstraction, and the expressive power of pattern, her work has been exhibited widely throughout Florida and beyond.

About Regina Durante Jestrow

Regina Durante Jestrow’s practice explores the reinterpretation of American quilting traditions by investigating textile history and geometric pattern symbolism. Her early exposure to sewing as a child paved the way for a journey combining quilt-making with improvisation, contrast, and repeat patterns. Jestrow draws inspiration from the vibrant natural landscapes of South Florida, weaving the colors, textures, and structures of the region into her work using a diverse palette of new, second-hand, and hand-dyed textiles. An integral part of her artistic ethos is consciously incorporating thrifted and second-hand clothing and fabrics. By doing so, she aims to reflect Miami’s culture and address the pressing issue of textile waste plaguing our society.

She employs symbolic geometric quilt patterns as a foundation, transforming and manipulating these shapes to create dynamic movement and evoke a sense of transformation. To reflect the essence of the Miami landscape, she uses colors inspired by the rich tapestry of its diverse population, complemented by dyes derived from locally sourced plants and rust. Her use of unconventional materials, such as neoprene, sequins, and faux leather, pays homage to the pop culture that permeates Miami’s artistic identity.

Her artistic journey is guided by a profound appreciation for American folk art quilts and a deep admiration for geometric-abstract artists from the mid to late twentieth century. Visionaries like the Gees Bend quilters, Elizabeth Murray, Helen Frankenthaler, Rosie Lee Tompkins, and Gego have left an indelible mark on her creative perspective. These influences have been powerful motivators, driving her to produce quilts with significant personal symbolism and to weave intricate narratives within their patterns.

Baker—Hall is a contemporary art gallery founded by Amanda Baker—Hall in 2024. It is the successor to her previous project, Club Gallery. The gallery aims to promote emerging and mid-career artists through a fresh curatorial approach, while also offering comprehensive art advisory services. Baker—Hall specializes in painting and sculpture across narrative and non-objective styles, with a focus on collaborating with private collectors and prominent corporate institutions. The gallery boasts a robust exhibition schedule, featuring a minimum of eight rotating exhibitions each year.

Baker—Hall is a proud member of NADA.

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